" A Sense of Time" CD released by Élan Recordings, 2001. Performed by Drew Fernell and Andrew Augustine, Trumpet, Scott Bohannon, French horn, Mark Snyder, Trombone and Christopher Meeder, tuba. Performed by Alberto Almarza, flute, and Luz Manríquez. Performed by Nicole Myer and Barney Culver. Chestnut Oak Tree, For You, Dreamplace.įrom the suite " Soul Carrier" for two cellos (2006). Performed by Douglas Ahlsted, tenor, and the Renaissance City Winds in a live performance on June 9, 2004. " Maroon Dreams" for tenor, oboe, bassoon and 2 horns (1999). Live performance at the Pittsburgh National Aviary in 2000. Sound track for the movie Silent Conversationīy Vanessa Briceño. Performedīy the Carnegie Mellon Flute Ensemble, Mr. Performed by the Renaissance City Winds and guest artist David Premo, celloįor flute nonet (2000). " Aguaclara" for woodwind quintet & cello (2002). " Malagigi the Sorcerer " for flute and piano (1999). Performed by the Carnegie Mellon Wind Ensemble conducted by Efraín Amaya. " Pájaro de tres alas" for wind ensemble (1996). Performed by the Carnegie Mellon Philharmonic, conducted by the composer in a live performance at Carnegie Music Hall, Pittsburgh. Premiered at the Associated Artists of Pittsburgh, December 31, 1999. Jeanne Wentworth, mezzo soprano, mezzo soprano, Douglas Ahlsted, tenor. " Clepsydra: an operatic installation with 13 performers" (1999). Amaya conducting the premiere performance at Kresge Recital Hall, December 8, 2001. Performed by Alberto Almarza, flute, and the Carnegie Mellon Contemporary Ensemble, Mr. " Indigo Concerto" for flute and chamber orchestra (2001). Performed by Jorge Montilla, clarinet, and the "Orquesta Gran Mariscal de Ayacucho", Carlos Izcaray conducting the South American premiere in a live performance as part of the XV Festival Latinoamericano de Música, May 24, 2008. " Wuaraira Repano" for clarinet and chamber orchestra (2006). Performed by the BACHfest Chamber Orchestra in the premiere performance on September 23, 2000. Furthermore, we should highlight other more recent artists who have been influenced by the rumba, but more pop, such as Oscar Casañas or "El Chinchilla".Free embed music player from A Sense of Time by Efra’n Amaya Some Catalan bands such as Muchachito Bombo Inferno, La Pegatina, Txarango, Bongo Botrako, La Troba Kung-fu, La Familia Rústika, Bonobos Music or la Banda de Panda, are important to be metioned.īands from Madrid that are important in this style are: Alpargata, Canteca de Macao and Antonio "el Turuta". This sub-genre is often influenced by the New Flamenco (Kiko Veneno, Mátires del compás, Pata Negra). Relevant to this change was the Franco-Spanish artist Manu Chao, and his group Mano Negra, above all in Barcelona and Spanish culture. Some groups maintain the traditional essence such as Sabor de Gracia or “Ai, ai, ai” while others: La Cabra Mecánica, Estopa, Melendi or Ojos de Brujo, choose to mix rumba with other styles such as swing, ska, and reggae, including Latin rhythms such as cumbia, and creating a new style: “rumba fusion”. Late 90s, “rumba catalana” was influenced by various musical styles. Los Manolos and Gipsy Kings can't be missed in this list, as they gave a boost to “rumba catalana” without changing it. Other artists had this style as a reference: Lolita Flores, Manzanita, Azúcar Moreno, Rosario Flores or Ketama. In the 80s and 90s, Los Chichos and Los Chunguitos mixed rumba with marginal and suburban flamenco styles. Gato Perez rediscovered “rumba catalana” in the 70s and started a new age with new musical creations, combining jazz and salsa. They are followed by Las Grecas or Los Amaya, and later the trio “Rumba Tres”. The three main artists of this genre are: Peret, Antonio González "El Pescaílla" and Josep Maria Valenti "El Chacho". Currently, the artist Oscar Casañas includes hip-hop and tropical electric sounds in “rumba catalana”. It is normally accompanied by voices, clapping, guitar, guiros and bongos, usually also with congas, drums, small percussion, wind instruments, piano, electric bass and electric keyboards. It has a 4/4 rhyme and “guaracha” and “son” patterns. This genre is based on the fusion of Andalusian-Catalan songs in a light style with Afro-Cuban features. This style was born specifically in the Catalan communities in Gracia and Hostafrancs neighbourhood and Raval area. Its main feature is that flamenco rumba rhythms are mixed with rock & roll influences and Cuban music. “Rumba catalana” is a genre developed by the Catalan gypsy community in Barcelona since the mid 50s.
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